๐๐ ๐๐๐๐ค๐ฃ๐๐จ ๐ฉ๐ค ๐๐๐๐ฃ๐๐๐๐ฉ
๐๐๐ง๐๐ง๐ (๐๐ฅ๐๐ฑ๐๐ง๐๐ซ๐ ๐๐ฉ๐๐ง๐๐ & ๐๐จ๐ฌ๐ฌ ๐๐จ๐ฉ๐ค๐ข๐ง๐ฌ), ๐๐ฅ๐๐ฑ ๐๐๐ฐ๐ซ๐จ๐ง๐ฌ๐ค๐ข, ๐๐จ๐ง๐ง๐ข๐ ๐ฏ๐๐ง ๐๐จ๐ฎ๐ญ, ๐.๐. ๐๐ซ๐๐ญ๐ญ๐ and ๐๐จë ๐๐๐ซ๐ง๐ข ๐๐จ๐๐๐ซ๐ญ๐ฌ๐จ๐ง
presented by ๐๐ฅ๐๐ฑ ๐๐๐ฐ๐ซ๐จ๐ง๐ฌ๐ค๐ข / ๐๐ญ๐ก๐๐ง ๐๐ซ๐จ๐ฆ๐
6 – 25 September, 2025
โ
This exhibition follows Part 1 of the exchange, curated by HAIR at ethan frome in April 2025.
โ
Together, the project aims to contribute to the dialogue between Sydney and Melbourne's artist-run communities, grounded in collaboration, shared resources, and mutual support.
โ
The 'Doomsday clock' was established in 1947 and has been maintained since. Its purpose is to indicate humanity's proximity to global annihilation. At the time of writing, the clock registers 90 Seconds to Midnight, (89 seconds to be more accurate) the closest to catastrophe ever recorded.
The artists in this exhibition acknowledge this scenario in a variety of ways, darkly humorous. And not.
โ
โ
โโ
